| Claire Zakiewicz, 26/01/22, “Holes”, Creatrix Magazine |
| Holly Willis, 17/04/20, “Scratching the surface: Handmade cinema in the digital age”, LA Review of Books |
| Andrew Hall, 2019, “Drawing as a Democratic Space within higher education, fine and applied arts”, Drawing: Research, Theory, Practice Vol 4, No 2, Nov 2019 |
| Lily Husbands, 2018, “Erasure, Manifest”, Erasure catalogue, Hanmi Gallery |
| M K Palomar, 17/09/18, “Birgitta Hosea: Erasure at Hanmi Gallery Seoul”, Studio International |
| Interiors Korea, Sept 2018, “Birgitta Hosea ‘Erasure’” (p21) |
| Art Brava, 2018, “Birgitta Hosea: Erasure” |
| Art&Tok, 2018, “Erasure: Birgitta Hosea” |
| Daniel Fishbayn, 19/06/17, “Eye Myth in Profile: Birgitta Hosea: Erasure”, Eye Myth Film |
| John Miers, 2017, “Event review of 'Markings: Festival of Illustration and Performance', at Central St Martins, 8 - 9th July 2016”, Spark: UAL Creative Teaching and Learning Journal, Vol 2, No 1, 2017 |
| Vicky Smith, 09/12/16, “Performed”, Edges: an Animation Seminar, Whitechapel Gallery, London |
| Lynne Tomlinson, 30/09/13, “Animation and Performance”, animationstudies 2.0 |